Monday, April 27, 2009

Splinter

Film: Splinter (2008)
Dir: Toby Wilkins
Rating: *** out of 5 stars



I had high hopes for this one, but I must admit I was a bit disappointed. Perhaps that is my fault for buying into all the hype. Splinter's concept has a lot of promise but I found myself bored or rolling my eyes through some of it. At its best, the movie is reminiscent of The Thing and, to a lesser extent, Tremors. On the other hand, dull characters and hyperaggressive directing drag the film down.

Splinter starts off like many other horror films - with a young couple going camping in the woods. But in this case, the terror begins when Seth and Polly realize they suck at camping and go looking for a motel instead. On the way, they see a girl stranded in the road and slow down to consider helping her. Before they can change their minds, their car is hijacked by the girl and her gun-wielding boyfriend.

When the car runs over a spiny critter on the road, a flat tire and leaky radiator forces them to pull over at a small gas station. Shortly thereafter, they are attacked by an injured man covered in spiney quills. They soon realize they are up against some kind of spiny parasitic creature that infects human and animals hosts, feeding on their blood. Needless to say, Seth and Polly have to work with their kidnappers against this common threat trapping them in the gas station.

I always appreciate a new kind of monster movie and Splinter definitely brings some unique material to the genre. The idea of a parasite propogating by splintering off its quills is pretty damn cool. Then for some reason it breaks its hosts bones - I can't explain why, but it looks awesomely painful. And the final result is a very creepy, crippled zombie-like monster with spines all over. The final beast in the film's finale is very reminiscent of something out of John Carpenter's The Thing. Not too shabby, right?

Unfortunately, that monster is kinda wasted since Toby Wilkins' rapid cuts make it very difficult to see anything. This is my biggest pet peeve about the film - hyperkinetic shots and quick cuts during action scenes. It looks very cheap and makes the best stuff difficult to follow. Furthermore, some of the FX shots look terribly fake and, again, sped up. I wish the rest of the film's FX looked half as cool as the final monster or even the amputation scene (which btw, is brutal, if only for the tools chosen).

I also did not think the central characters were particularly interesting, nor was their relationship with their kidnapper Dennis believable. They are pretty one-dimensional characters (tough chick, puny worthless nerd, and criminal with a heart-of-gold...yawn).

I really hoped for better, but Splinter is not a bad first try (this is Wilkins' first feature - next up is Grudge 3, god help him). The concept is phenomenal, and I even got an old-school Tremors vibe from watching it. I hope the crew behind this one try their hands at another monster movie some day, they just might nail it.

The Soloist

Film: The Soloist (2009)
Dir: Joe Wright
Rating: ***1/2 out of 5 stars



To be honest, I would not have bothered watching this film if not for a certain handsome, talented actor that I am just a little enamored with. These sappy based-on-true-events stories just do not appeal to me. But as it turns out, The Soloist is a pretty good film about friendship. I did not love it, and will surely forget it before long, but its beautiful storytelling and great cast make it worth a watch.

Robert Downey Jr. portrays real-life Los Angeles Times journalist Steve Lopez. He meets a homeless musician named Nathanial Ayers Jr. (Jamie Foxx) who claims to have attended Juliard. As it turns out he did, but dropped out shortly thereafter despite being one of the school's most talented students. Lopez decides to write an article about Ayers and helps him by coaxing him to join a homeless community. It becomes very apparent that Ayers suffers from a mental disorder, most likely schizophrenia. The more Lopez tries to "fix" Ayers, the worse things become.

Foxx is good as the mentally tormented Ayers, and his love for music seems genuine. Against him, I think Downey Jr. is sure to be overlooked critically, but Robert is really fantastic here. At first, he is indifferent to Ayers passion for music, but he comes to understand the power of it and it changes both of them. He also struggles to do good by Ayers but ultimately realizes that sometimes the best thing you can do for somebody is simply to be their friend.

Joe Wright tells the story beautifully and I wouldnt be surprised if he is a music lover himself. There is even a whole scene dedicated to showing the music visually, wherein we see no actors or action, just color and music. It is a surprising and inventive scene - certainly not something I expected to see in a mainstream film.

The Soloist is worth seeing at least once, for a nice feel-good movie with great performances. I myself am not a music lover - though I can certainly appreciate it - but I think fans of classical music might really enjoy this film, also. It seems to do justice to the art and those who are passionate about it.

Sunday, April 19, 2009

The Killing

Film: The Killing (1956)
Dir: Stanley Kubrick
Rating: ****1/2 out of 5 stars



I have no excuse for why it took me so long to see this film, being a Kubrick lover and a big fan of Sterling Hayden. I'm just glad I finally got around to it because this is one great movie. Among heist films, you always hear about stuff like Heat or Oceans 13, but this is definitely one of the best heist movies out there.

Hayden plays Johnny Clay, a former convict looking to settle down and make an honest living with his girlfriend - after one final score. He gathers a small group of trusted men who conspire to rob the local racetrack for $2,000,000. One of the fellas - a racetrack teller - makes a fateful mistake when he tells his greedy wife about the plan, setting in motion a series of unfortunate consequences.

I love stories about greed and the inevitable tragedy that follows it. Sam Raimi's A Simple Plan came to mind as I watched this because both have downtrodden characters who think they have stumbled upon easy money, but they ultimately pay the price. These types of stories are always fascinating studies on human nature, and The Killing is no exception.

As always, Kubrick has pulled together an amazing cast of character actors. Hayden is the tough ringleader of the group, but he is pulling this heist because he wants to start anew with his girlfriend Fay, and though he is terrified of going back to prison, it is worth the risk to him. Fay is also an interesting character because she supports him 100% and guides him when the scheme begins to crumble. She is also the antithesis of the track teller's wife, Sherry, who is a shrewd, manipulative bitch and almost single-handedly ruins everything. In the role, Marie Windsor is fantastic. Such an aggressive, fast-talking female is always refreshing in these old movies.

Portraying Sherry's mousey husband George is Elisha Cook, who has playing noir characters down to an art (i.e., The Maltese Falcon). Like Johnny Clay, George just wants to start a new life with his wife, but he is blind to the fact that she despises him and is only using him. One more actor I must mention is Timothy Carey, who plays a sharpshooter hired to kill a racehorse. This eccentric actor reminds me of John Turturro in the best way possible and I cannot wait to see him in more films.

As I said earlier, this is a pretty great heist film. The scheme is complex and smart, and as it is playing out, it is very suspenseful. If you enjoy heist movies, do not dismiss this one based on its age. It will surely surprise you. Needless to say, Kubrick's directing style is perfect. The cinematography is beautiful. The film is told in a non-linear fashion, utilizing flashbacks pretty often. A narrator is used to keep the viewer posted on where and when we are. While I'm not sure the narrator was necessary, I did not mind his presence - and I usually hate narrators.

The Killing has taken 3rd place among my favorite Kubrick films, but that is no easy task. Honestly, nothing is ever gonna top Dr. Strangelove and A Clockwork Orange for me, but this one was better than I even expected. I can always count on Stanley to fascinate me.

Friday, April 17, 2009

Street Trash

Film: Street Trash (1987)
Dir: Jim Muro
Rating: **** out of 5 stars



Pay no attention to that Tommy Vance quote on the poster - it is wildly inaccurate and just plain stupid. However, Street Trash is an awesome movie full of tasteless hilarity, quirky characters, and gooey gore. A better comparison would be: Bad Taste meets The Toxic Avenger on the set of They Live. In other words - fantastic.

The film is about a community of derelicts living in and around a NYC junkyard. When the local liquor store starts selling a mysterious booze called Tenefly Viper for $1, a slew of homeless winos are found dead - or more specifically, melted. Aside from that, there is very little plot. We follow the daily hijinx of Fred and his brother Kevin, who get into a mess of trouble with the Viper, the local mafia, the police, and Bronson, a ruthless Vietnam vet who rules the junkyard.

Street Trash isn't exactly known for having an intelligent or even cohesive plot. But it does have a range of hilarious characters, outrageous scenes and quotables, and some surprisingly awesome melt FX. Seriously, Jennifer Aspinall and Mike Lackey (who also plays Fred) did an amazing job with the special makeup effects. I was impressed from the infamous toilet scene and it only got better thereafter. You really must see this movie to believe it.

I fear that director Jim Muro (now J. Michael Muro) is ashamed of this film, and he has not directed since but is a very successful stedicam operator. It's a real shame because he did a great job with this one, as did writer Roy Frumkes. I was pleasantly surprised at how much Evil Dead influence appeared in this too - from the Sam-o-Cam shots to the choice of making the hobos' blood every color except red. Again, it's a shame Muro didn't embrace directing - he might have been another Raimi.

A lot of people compare this to Troma films, but honestly, I think it's way superior. It never felt like shock-for-the-sake-of-shock, or cheap, dirty humor. Oh, it's trashy (look at the title) but it's fantastic and so, so funny. This movie definitely stole a place in my heart among cult classics like Re-Animator and Bad Taste.

**PS - I don't usually mention DVD features in these reviews, but if you see and enjoy Street Trash, you MUST check out "The Meltdown Memoirs" on the two-disc set. It is a lengthy documentary about the making of the film and has interviews with everyone in the cast, and most of the crew - including Bryan Singer, who was a production assistant on the film. Of course, Muro does not appear. It is very comprehensive and a must-see for fans of the film.