Saturday, April 30, 2011

Top 10 Non-Pixar CG Animated Films

When it comes to computer-animated films, Pixar Animation Studios has dominated for over 15 years. Few others can match the quality of films like Toy Story and Up. But with 20th Century Fox’s Rio currently ruling the box office, and the Weinstein's Hoodwinked Too! Hood vs. Evil on the way, Pixar has not cornered the CG animation market completely. Here is a run-down of some of the best non-Pixar movies that have stood out amidst the hundreds of wannabes over the last the last decade.

10. Bolt (2008)



When it comes to kids’ flicks, you cannot go wrong with cute dogs. In this Disney feature, Bolt the dog is a television star who does not realize he is part of a fictional tv show. Believing he truly has super powers, he sets out to rescue his human friend Penny, who he thinks has been kidnapped. As the humans search for a runaway Bolt, the little dog faces the real world for the first time and soon comes to realize he is not as strong as he thought. It is a familiar story (especially when you recall Buzz Lightyear’s revelation in Toy Story) but the film is still sweet, funny, and laced with exciting action sequences.

9. Kung Fu Panda (2008)



Dreamworks Animation's Kung Fu Panda delivers a classic story of believing in yourself and overcoming the odds to become a hero. Kids love the fat panda, but I love the quirky animation and the kung-fu-inspired look of the film. The visual style was inspired by Chinese films such as Hero and House of Flying Daggers. The voice cast is great (Jack Black, Dustin Hoffman, Seth Rogen, Jackie Chan, David Cross etc.) though I would have liked to see more of the Furious Five – the gang of kung-fu animals who aid the titular panda. Here’s hoping they feature more in this summer’s sequel.

8. Cloudy with a Chance of Meatballs (2009)



Sony Pictures Animation's Cloudy with a Chance of Meatballs lacks the great animation of some other films on this list, but it excels in humor. Based on the children’s book by Judi Barrett, Cloudy is about a wannabe inventor who finds fame when he builds a machine that makes it rain food. Naturally, the fame goes to his head and his success backfires on him. The animators seemed to be going for a more old-fashioned style, which goes hand-in-hand with the film’s quirky sense of humor. Bill Hader, Anna Faris, and Bruce Campbell provide voices, so you know it’s funny. A word of warning, though – this film will make you very hungry.

7. Meet the Robinsons (2007)



Ever since Walt Disney Animation Studios started making CG-animated films without Pixar, very few have been worthwhile. Meet the Robinsons was a surprising exception. It is about a young boy who invents a time machine and travels to the future, where he lives with an eccentric family. It has some fantastic sci-fi elements, touching on the consequences of time travel and alternate realities. There are some good laughs – especially from the villain simply known as “Bowler Hat Guy” – but the film also captures the heartwarming nature of a classic Disney film. It urges the importance of family, believing in yourself, and basically everything Walt Disney stood for.

6. How to Train Your Dragon (2010)



Some of the greatest family films involve a child and an unorthodox friend. Whether it be a dog or an alien or a robot, those stories are guaranteed heart-warmers. Dreamworks' How to Train Your Dragon is about a young Viking boy who yearns to be strong like his dragon-slaying father. Then one day he encounters a wounded dragon and is surprised at the creature’s gentle nature. They soon become friends and the boy has to protect the dragon from the hateful dragon slayers in his village. While Dragon does have the occasional laugh, the strong points of this movie are the sweet story and the gorgeous animation. Forget Avatar - the scenes of the boy and his dragon soaring through the skies are more breath-taking than any Na’vi.

5. Rango (2011)



The most recent addition to the list is also a very different kind of animated movie. Nickelodeon Movies' Rango follows a pet chameleon who gets lost in the desert and ultimately becomes sheriff of a small animal town. The plot is very reminiscent of Three Amigos, A Bug’s Life, etc. but it does not feel stale or too derivative. It actually has more in common with westerns than it does with your average animated film. Rango should please kids with its cute animals and goofy protagonist, but the film is definitely geared more toward adults, with references to Clint Eastwood and Fear and Loathing in Las Vegas. As the voice of the titular reptile, Johnny Depp is great, and here he re-teams with director Gore Verbinski (Pirates of the Caribbean) for a fun, visually striking movie.

4. Surf’s Up (2007)



Forget Happy Feet – this is the animated penguin movie to see! Unlike any animated kids’ flick preceding it, Sony Pictures Animation's Surf’s Up was shot mockumentary-style. It follows a young penguin competing in a surfing competition. The animation - particularly the surfing shots - is gorgeous, and the characters and jokes are very funny. Voice talent includes Shia LaBeouf, Jeff Bridges, Diedrich Bader and Zooey Deschanel. And unlike most animated films, the voice actors here recorded their lines together, so the chemistry feels real and natural.

3. Monster House (2006)



This one is a great Halloween movie because it combines the whimsy of a children’s film with the spookiness of a Tim Burton film. Monster House, produced by Amblin Entertainment and ImageMovers, is about a killer house that eats intruders. Three kids investigate and try to stop the house, uncovering some dark history along the way. This film captures the same sense of childhood adventure that The Goonies did, and so is guaranteed to please kids and adults alike.

2. Shrek 2 (2004)



Despite following a great first film, Dreamworks' Shrek 2 still managed to surprise everyone because rarely is a sequel anywhere near as good as its predecessor. This was one exception. The sequel has a fantastic voice cast, plenty of laughs, and - unlike the first film – Puss in Boots! The soundtrack was also great, with artists such as Frou Frou, Eels, Pete Yorn, Nick Cave, and Tom Waits. With all that, Shrek 2 is a very close second to the original film. Having said that, it should come as no surprise what #1 is….

1. Shrek (2001)



Dreamworks’ tale of a grumpy ogre is the absolute closest thing to Pixar-quality animation and storytelling. The original introduced us to lovable characters, an imaginative story, impressive animation, and a great soundtrack. Best of all, it had humor for the kiddies as well as adults. Some of the jokes in Shrek were even a bit risqué for a family movie. Remember those dancing Duloc figurines? “Please keep off of the grass, shine your shoes, wipe your…face!” Shrek has earned its place in cinematic history alongside the Pixar films as a genuine animated classic.

Thursday, April 28, 2011

Bridesmaids

Film: Bridesmaids (2011)
Dir: Paul Feig
Rating: **** out of 5



The raucous, vulgar comedies of late (Superbad, The Hangover, etc.) have been a male-dominated subgenre – until now. Paul Feig’s Bridesmaids transcends the common chick flick and proves that women can play down and dirty too when it comes to comedy. Rounding up some of the funniest ladies out there right now, the film provides side-splitting laughs. Additionally, it is a solid, well-paced film with touching moments – think Knocked Up, not Eat Pray Love – and a great story everyone can relate to.

SNL’s Kristen Wiig plays Annie, a single 30-something woman with a crappy job, creepy roommates, and a fuck-buddy who walks all over her. The best thing in her life is her BFF, Lillian (Maya Rudolph), who just got engaged to be married. Now Annie has the responsibility of being the maid of honor and planning the wedding - a task she is completely unprepared for. Making matters worse, bridesmaid Helen (Rose Byrne), a beautiful, pampered rich girl, is trying take over as Lillian’s #1 friend. Annie battles the inevitability of Murphy’s Law as she goes to any length necessary to give her best friend the perfect wedding.

In the lead, Wiig is funnier than ever, carrying the film with comedic ease. This woman really needs more starring roles (here’s hoping Bridesmaids fixes that). As Annie, she is the perfect everywoman. She can be sexy and feminine, but she is also never afraid to look stupid or ugly for a laugh. Rose Byrne plays her opposite – an uptight perfect princess. The Aussie actress – recently seen in Insidious – is not exactly known for her comedic parts (except Get Him to the Greek) but her squabbles with Annie for Lillian’s affections are pretty damn funny.

The rest of the bridal party is comprised of Ellie Kemper (The Office), Melissa McCarthy (Mike and Molly) and Wendi McLendon-Covey (Reno 911!). All three have proven their comedic chops on their respective television shows, and together they make a hilarious, dysfunctional bunch of bridesmaids. Kemper is the sweet and innocent newlywed; McCarthy the tactless, overweight butch; and McLendon-Covey the bitter, drunk housewife. Kemper – who has quickly become my new favorite character on The Office – is sadly underused here. Meanwhile, McCarthy provides the most laughs with her gross-out humor. She does for this movie what Zach Galifianakis did for The Hangover and Due Date.

Bridesmaids may be Paul Feig’s biggest directorial effort to date, but comedy fans should recognize the name. Not only did Feig create Freaks and Geeks, but he has directed some of the best episodes of The Office, Parks and Recreation, and Arrested Development. Like Apatow or McKay, Feig’s name has become synonymous with quality comedy, and this film proves he can translate that to the big screen, as well. It helps that Kristen Wiig and fellow Groundlings alum Annie Mumolo wrote the screenplay. These three very funny people have created a comedy that is not just some 80-minute gross-out quickie, but a well-paced, two-hour film with a rounded story, great characters, and a steady stream of hilarity.

The film may be by women, but it is definitely not just for women. Even though men don’t know the frustrations of being a single, stressed bridesmaid, the jokes are not gender-specific. At the screening of this movie, the loudest laughter in the audience was coming from men. But if you really need some testosterone on-screen, you get hilarious performances from Mad Men’s Jon Hamm as a womanizing sleaze, and The IT Crowd’s Chris O’Dowd, who proves not all men are dogs as a sweet and charming Irish cop. His character also proves that women are just as capable of hurting men, and so a lot of guys will relate to his character.

Bridesmaids is a sweet, hilarious comedy that stands toe-to-toe with modern comedic classics like The 40-Year-Old Virgin and Role Models, which also effectively combined a heartwarming story with pee-your-pants laughs. I hope this film sets a trend of female-oriented comedies that replace Kate Hudson and Julia Roberts vehicles in favor of genuinely funny women being just as ballsy and foul-mouthed as the boys.

Monday, April 18, 2011

15 Great Horror Masks



Check out my list of the 15 greatest masks in horror:

http://www.killerfilm.com/features/read/15-great-horror-masks-70981

Tuesday, April 05, 2011

Your Highness

Film: Your Highness (2011)
Dir: David Gordon Green
Rating: ** out of 5



Check out my review over at KillerFilm.com!

http://www.killerfilm.com/film_reviews/read/your-highness-review-70036

Saturday, April 02, 2011

Insidious

Film: Insidious (2011)
Dir: James Wan
Rating: **** out of 5



In 2003, director James Wan and screenwriter Leigh Whannell created the bloody low-budget affair known as Saw, based on their short film of the same name. That little horror film spawned six sequels and the entire franchise has grossed nearly a billion dollars worldwide. While the sequels constitute little more than torture porn, the original movie was a refreshingly unique psychological thriller. I still have not recovered from its kick-in-the-nuts ending. Now, eight years later, the Australian filmmaking duo is redefining horror yet again with Insidious. Relying on genuine scares instead of gory violence, this haunted house spook-fest recalls classics such as Poltergeist and Carnival of Souls.

When Josh and Renai Lambert (Patrick Wilson and Rose Byrne) move into a new house with their three children, they begin to experience eerie occurrences. Even worse, their son Dalton slips into an unexplainable coma as the supernatural events become more and more frequent. When they can take the haunting no longer, the Lamberts seek help from a psychic medium and two ghost hunters to fight the evil entities in their home.

Right from the opening credits, Insidious exudes creepy atmosphere with a chilling score and the subtle implication of something malevolent inside the Lambert household. Before long, the evil spirits make their presence known, resulting in some downright terrifying moments. Both times I watched this film, the theater audience was not so much jumping and giggling (like with most horror films) but flat-out shrieking. There is absolutely no gore in this movie, proving that you can still terrify audiences without the blood and guts.

While the film pays homage to Poltergeist, it also paves its own way – particularly in the second half – with eccentric characters and a quirky sense of humor. The ghost hunters (played by Whannell and Angus Sampson) in particular bring some light-heartedness to the story, especially if you have ever watched one of those paranormal investigation television shows. Some of the spirits also provide a laugh or two but that does not stop them from being eerie as hell. The film’s primary villain is very different from your standard movie bad-guy. Looking like a demon right out of a Renaissance painting, he is effectively creepy. It is also refreshing to see a demonic foe portrayed by an actor in make-up rather than the usual CGI rendering.

Byrne and Wilson are good as the tormented parents, though Lin Shaye steals the show as the psychic medium, Elise. The aptly-casted Barbara Hershey is good, as well, portraying Josh’s sympathetic mother. Wan’s skills as a director have definitely improved since Saw. Gone are the shaky, spinning action sequences and ten-minute montage reveal. Insidious moves smoothly and methodically to build tension and keep you on the edge of your seat before, you know, making you jump out of it.

Whannell’s script is effectively scary, but also has themes of aging and the inevitability of death that are probably overlooked by most filmgoers. The script avoids most of the horror genre’s nastiest clichés, including fake scares (i.e. – it was just a cat…), over-reliance on the orchestra, and the question everyone asks during a haunted house film – why the hell don’t these people move? Wan and Whannell side-step all those common pitfalls and inject their own quirky, almost-Vaudevillian sense of humor into what is at-heart a classic ghost story.

While Insidious may feel derivative at times, the film is guaranteed to haunt you long after it ends. You will not look at mundane objects like clocks, children’s drawings, and gas masks the same way again. And if Tiny Tim music was not creepy enough already, try avoiding the goosebumps next time you hear “Tiptoe Through the Tulips.”