Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Sunday, October 10, 2010

Joint Security Area

Film: Joint Security Area (2000)
Dir: Chan-wook Park
Rating: **** out of 5 stars



Following World War II, Japan lost control of the Korean peninsula, and the country was divided between the Communist north and the Capitalist south. In the early 1950s, constant border skirmishes and raids escalated into a full-blown war. The United States came to the aid of South Korea while the Soviet Union backed the North. That war ended, but today there still exists a buffer zone between the North and the South known as the Korean demilitarized zone (DMZ) where diplomatic engagements take place.

The “Joint Security Area” or JSA refers to the only part of the DMZ where forces from each side stand face-to-face. Armed guards from each region patrol the border with mutual paranoia and distrust for their enemy neighbor. Chan-wook Park’s Joint Security Area tells the story of Korean soldiers reluctantly caught up in the conflict.

In the film, two North Korean soldiers are shot and killed in the JSA and a South Korean soldier is held as a suspect. The South claims he was kidnapped and forced to shoot his way out; the North claims he infiltrated their camp and committed murder. Swedish and Swiss officers from the Neutral Nations Supervisory Commission intervene to investigate the incident and hopefully alleviate the North-South tensions before a serious conflict erupts. The investigation is led by a Swiss-Korean woman, Major Jean (Young Ae Lee), who finds evidence to suggest a possible cover-up among the survivors of the shooting.

The film opens with the investigation, and through flashbacks, slowly reveals the series of events that led up to the incident. Nothing is as it initially seemed when the story reveals an unlikely situation. The script is well-structured and moving. It brings up issues of loyalty, patriotism, and defiance. Furthermore, the film is full of fascinating historical information about the decades-long Korean conflict. World history buffs should find it very interesting.

Young Ae Lee gives a solid performance as an investigator trying to find the truth against an onslaught of lies and cover-ups. It is nice to see a Korean actress in a non-romantic role. Kang-ho Song, a staple of Chan-wook Park films, portrays a North Korean sergeant, while Byung-hun Lee plays the South Korean soldier being investigated. Both actors are great but Song has a quality about him that makes him unforgettable in every film he does. His acting often transcends a need for subtitles because his face can say so much without speaking.

To those who have ever watched a Chan-wook Park film, it should come as no surprise that the directing of Joint Security Area is tight and skillful. The visuals are not as bold or eccentric as Park’s more recent films, but such style would not be appropriate to the subject matter anyway. JSA is based on a real, ongoing Korean conflict and tells an emotional tale, so no flashiness is needed here.

While it may not be as badass as Oldboy or Thirst, the pacing is steady and the drama is intense. The scenes involving the investigation are not as tense and interesting as the flashbacks, but fortunately after the first 30 minutes, those scenes are few and far-between. Good storytelling and fine performances make JSA a breeze to watch. It is recommended viewing for fans of Park or war dramas, and world history/current events enthusiasts.

Saturday, August 22, 2009

Inglourious Basterds

Film: Inglourious Basterds (2009)
Dir: Quentin Tarantino
Rating: ***** out of 5 stars



After a long streak of great films, I figured Quentin Tarantino had finally begun a downward spiral following the surprisingly flawed Death Proof. The mixed reviews of Inglourious Basterds coming out of Cannes supported that theory. So my expectations were pretty low. As it turns out, I was dead wrong. Basterds is a unique, fun, and mature addition to QT's repertoire.

Basterds is a fictionalized WWII tale set in Nazi-occupied France. Lt. Aldo Raine (Brad Pitt) leads a group of Jewish-Americans (and two German defectors) on a mission with one goal: kill as many Nazis as possible. These "Basterds" and their brutal tactics effectively terrorize the SS. Meanwhile, a young cinema proprietor named Shoshanna (Mélanie Laurent) attracts the attention of a Nazi war hero-turned-actor, who insists on screening his movie at her theatre. What he doesn't know is that Shoshanna - a Jew in hiding - witnessed her family slaughtered by Nazis, and has revenge on her mind. When word of the premiere gets out, the Basterds plan to sabotage the event and hopefully kill a large portion of the attending Third Reich.

Like some of QT's previous films, this one is broken into chapters. This technique is especially appropriate here because the story is more like a fairy tale than a history lesson. It even begins with "Once upon a time...." There are hundreds of films portraying the bleak realities of WWII, but Basterds is not one of them. Frankly, I have seen enough movies about the Jews being tortured, gassed, burned, and buried - it's about time we get to see them kicking Nazi ass! There is only one scene of violence against Jews in this entire film - but a dozen against the SS. And it's awesome. Maybe it never really happened, but who cares? It is very satisfying.

However, one way Basterds is more accurate than most of its predecessors is the fact that the Germans speak German and the French speak French. English is only used when appropriate or explained, and the rest is left to subtitles. Often times, the languages switch back and forth. To accomplish this task, Tarantino hired very talented bilingual actors like Diane Kruger, Michael Fassbender, Daniel Brühl, and Christoph Waltz. All do an amazing job, and give the film a feeling of authenticity. On the American end, Pitt's tongue-in-cheek performance is hilarious.

As much as I love the entire cast, I have to single-out the golden child of this movie - Christoph Waltz. He portrays the charming, scene-stealing Nazi villain, Col. Hans Landa. He provides some of the film's funniest moments, and easily gives the strongest performance. Dare I say, this is the greatest performance Tarantino has ever gotten from any actor. QT said himself he could never have made this movie without Waltz. The former tv actor is one of those brilliant untapped thespians, and I'm so glad Tarantino exposed him to the world. I have no doubts that the 2009 Supporting Actor Oscar is his, especially after winning Cannes' Best Actor prize. It is impossible to watch Basterds and not be captivated by Col. Landa every second he is on screen.

Okay, enough gushing about Christoph. I also must mention the great gore FX courtesy of Greg Nicotero and his crew, and the incredible score by legendary composer Ennio Morricone. All these elements combine into a fantastical war film with the heart of a western. Tarantino's story and dialogue are great, and his self-love is kept to a minimum this time. I have read parts of the original screenplay, and can see where much of his rambling dialogue was cut, thankfully. Contrary to my worries, it is very possible that his films are only getting better.

Sunday, January 27, 2008

Rambo

Film: Rambo (2008)
Dir: Sylvester Stallone
Rating: **** out of 5 stars



Rambo is not destined for Oscar gold or critical praise, but that won't stop it from being one of my favorite movies of this year. It is like a textbook example on how to make one fantastic fucking action movie. I'd call it a guilty pleasure, except that I feel no sense of guilt for loving it. It is not for everybody, but for a gore whore like me, this is pure, unfiltered awesome.

John Rambo is living a quiet life in the Burma jungle, wrangling cobras for a living (a job for a true badass). A group of missionaries asks him to escort them into a warzone so they can help the villagers, who are being marauded by an oppressive government militia. At first he refuses to get involved, for their own safety, but eventually he relucantly agrees. So of course the stupid missionaries get kidnapped by cruel Burmese soldiers, and it's up to Rambo to rescue them. Just to make things even more badass, he gets help from a team of highly-trained mercenaries.

Rambo includes actual footage of war-ravaged villages, as Stallone was clearly trying to shock his audience with real world horror. Even the staged acts of violence in the film are pretty horrifying. So the film evokes that same feeling you get watching Saving Private Ryan or Schindler's List, except Rambo gives us the ending we only wish would happen in real life - a badass motherfucker showing up and completely wrecking the bad guys. The villains in this are SO evil that it makes the revenge that much sweeter. Perhaps the moral relevance is lost in all the gratuitous kills, but it is so damn satisfying on a visceral level.

There are slow parts where the story dominates, but they are always punctuated with some great moment of Rambo ripping someone's throat out or obliterating someone with a 50-cal machine gun. The last ten minutes or so are just about the most fun I've had watching a movie in some time. It is an absolute massacre of bad guys in so many colorful ways. I was very impressed with the visual FX - with the exception of one or two bad CGI shots, the gore is phenomenol. Very brutal and very realistic.

I'm sure I sound like a complete sicko for enjoying the carnage so much, but put this movie on in a room full of people and watch the wild reactions it will elicit. The violence is so, so extreme and so, so satisying because the bad guys are absolute assholes. I've seen enough depressing films about the victims of genocide - it's about damn time we saw the murdering dickheads getting their asses handed to them. And who better to do it than Rambo?